On May 13, Kendrick Lamar released his sixth and reportedly his final studio two-sided album Mr. Morale & The Big Steppers. The album has stirred up a variety of opinions and reactions as Lamar covers a wide range of topics from COVID to toxic relationships to fame to homophobia and more. It feels good to hear from the DAMN rapper again, but is this the “all hits, no misses” project we were expecting from him? I don’t think so.
Mr. Morale & The Big Steppers allows listeners to be a fly on the wall as we enter countless sessions between Kendrick Lamar and his therapist. The opening track “United In Grief” is quite the opener and serves as a reflection from Lamar over a rapid-fire and seemingly chaotic beat but does an excellent job of setting the tone for Side A of the new project. “United In Grief” tells the story of Kendrick’s rise to fame as a 20-something with the world now in his hands. He details all the things he did from buying cars, mansions, and chains to sexing the pain away on his first tour, constantly saying “I grieve different.” This track is the perfect transition into songs like “N95,” a play in anti-masking all about removing the mask that we wear to paint a falsely perfect picture to the surprise Kodak Black interlude “Rich,” where the rapper discusses acquiring fame and riches while also watching the men in his life place immense value on material possessions that he now realizes don’t matter.
Standout tracks on Side A include the groove-worthy “Die Hard” featuring Blxst and Amanda Reifer, the West Coast influenced “Rich Spirit,” and the rage-filled “We Cry Together” featuring Hit The Floor and Zola actress Taylour Paige. “United In Grief” begins with the statement “tell them the truth,” and it seems like that’s what Lamar aimed to do with the first half of the project. Mr. Morale has a running theme of exposing the truths behind toxic masculinity, the hardships in fame, and the unhealthy ways in which we all grapple with pain. In “N95,” Lamar poses the question of “what the f*** is cancel culture?,” and this leads the listeners into the primary theme of Side B all about evolving from ignorance and pushing past the fear of true authenticity in the public eye.
Side B begins with K Dot’s counselor recording “session 10: breakthrough.” Side B opener “Count Me Out,” is Lamar’s breakthrough of realizing that he is able to grow and evolve from the mistakes of his past. We start to see this theme of being “canceled” by the public and how the rapper hopes to move past the fear of being canceled to speak his authentic truth tying back into the Side A themes. On the album’s cover, Kendrick Lamar wears the deeply religious Crown of Thorns, depicting him as a Christ-like figure. The track “Crown” shines some light onto why he may have chosen this strong imagery as he repeats “heavy is the head that chose to wear the crown” and “I can’t please everybody.” Lamar ruminates on this idea of people looking to him and his contemporaries as sort of modern-day prophets on “Savior” and the immense pressure that comes with it to remain in good standing with the public. This ultimately explains Lamar’s departure from the public eye as he ends “Savior” with “protecting my soul in the valley of silence.” Kendrick Lamar’s commentary on idolizing celebrities and elevating them beyond human status is poignant to hear as it seems like some fans have needed to hear these words for quite some time now. Lamar wants to be seen as human; he wants to be seen as someone who comes from mistakes and makes mistakes despite his celebrity status and has the ability to grow without the fear of being “canceled” or, in staying with the religious themes, crucified.
Side B has a few tracks that unfortunately miss the mark. “Silent Hill” featuring Kodak Black is kind of awkward for both Lamar and Kodak Black. It seems like neither one is comfortable on the track and would have been presented with the right amount of charisma from a Vince Staples or Baby Keem. I also have an issue with the number of times Kodak Black appears on this project given the legal issues surrounding his pleading guilty to the sexual assault of a minor. It seems odd for him to be a collaborator on a project that focuses so heavily on the issues in Black masculinity and the relationships between Black men and women. If anything, Kodak Black needs to be the one listening to the message versus preaching to others. This is a prime example of how the music industry fails to hold men accountable for their crimes against women. The irony of using Kodak Black to speak the truth on a topic while simultaneously not facing his own truths is exhausting.
Another issue on Side B comes in the track “Auntie Diaries.” The song is jarring with the repeated use of slurs, misgendering, and deadnaming. Lamar wanted to make a statement about homophobia in the Black community by telling the story of his own family members and his personal homophobia as a child. It’s admirable in theory but comes across as extremely tone-deaf in practice. With that being said, could Lamar have done this intentionally in staying with the theme of cancel culture on Side B and knowing the reaction the public would have? Possibly. Does this artistic vision take away from the issue? No. It, in fact, highlights the immense failure to acknowledge the privilege that Lamar has to use these hurtful words and walk away unscathed. The bottom line is that I am almost positive that Lamar could have found a way to make this statement without offending so many, assuming the track was created with good intentions.
Overall, Mr. Morale & The Big Steppers is not at all what I was expecting to hear from Kendrick Lamar, but after a 5 year-long hiatus, it is expected that he has a lot to say. However, I do think his isolation from the public has led him to become a bit out of touch in some areas and sometimes comes across as distastefully Christ-like. I will admit that the project seems to get better with each listen, and I will definitely revisit a few songs on this project. It’s easy to see that Lamar has a few songs made digestible for radio play while also delivering a heavy project that requires you to really sit and listen. As a whole, Mr. Morale & The Big Steppers will serve as the end of an era for one of the best rappers of today.
Listen to Mr. Morale & The Big Steppers and leave your thoughts below!